Support Material
Creative Australia
September 2023

Limber (1, 2, 3), 2020 
mixed media (inc. hand-stitched Lycra & sequin fabric, EPE foam & fibre fill, artificial eyes, synthetic hair, steel armature by Neil Aldum), 1: 1.1m H x 3.7m W x 1.25m D, 2: 3m W x 0.6m D x 1.65m H, 3: 4.8m H x 2.9m W x 0.8m D

These works were commissioned by Fremantle Arts Centre for Bodywork curated by Erin Coates and were supported by the WA Department of Local Government, Sport and Cultural Industries. These works belong to the State Art Collection, Art Gallery of Western Australia - Purchased through the Art Gallery of Western Australia Foundation: TomorrowFund, 2021

Limber 7 (detail),  2022,
mixed media (EPE foam & fibre fill, hand stitched lycra,  artificial human eyes PVC armature, ceramic titled plinth)
Limber 7 was commisssioned for Portrait23: Identity by the National Portrait Gallery, Australia

Installation view photograph by Mark Mohell, National Portrait Gallery, Australia


Surely This Is Death, 2022
Mixed media installation (inc. printed curtain, hall runner, foam, hand-stitched & painted fabrics, found shoes, wire armatures, mirror)

A Gentle Misinterpretation: Australian Artists and Chinoiserie, Fremantle Arts Centre, 2022, a residency & exhibition project curated by Andrew Nicholls





Surely This Is Death, 2023
Concept Sketches depicting installation design, details of the in progress rug design & reference images

Dream State, 2021
mixed media (inc. EPE foam, handstitched lycra, artificial human eyes, mirror, beads, sequins, steel armatures by Neil Aldum, small steel stands by Andrew Christie), Various dimensions
Installation photograph by Simon Hewson

The development of these works was supported by the WA Department of Local Government, Sport and Cultural Industries.

Shadow (1-4), 2021
Mixed media (inc. EPE foam, handstitched lycra, artificial human eyes, mirror, beads, sequins, steel stands by Andrew Christie), Various dimensions
Installation photograph by Simon Hewson

The development of these works was supported by the WA Department of Local Government, Sport and Cultural Industries.

Tricksters, 2018
mixed media (EPE foam, LED eyes with microcontrollers - coded by Steve Berrick, hand-sewn fabrics, rabbit fur, threads, sequins, glitter, synthetic hair, hand carved wood, nylon and leather gloves) Overall dimensions of wall installation: 4.9m W x 3m H x 300mm D.

Tricksters was selected as a finalist for the Ramsay Art Prize and was on show at the Art Gallery of South Australia, 2019.

The Guardians, 2015 - 2016 
mixed media (speakers, foam, hand stitched fabrics, stockings, speakers, mirrors, battery operated LEDs, electroluminescent wire, Sculpey, artificial hair, artificial human teeth, artificial cat eyes, brass paws, plastic gem stones, beads, fringe trimming, sequins, glitter and cotton lace yarn, flocked velvet plinths)

Sound design: Tom Hogan
Speakers located inside 9 of the sculptures
14 channel audio
Duration 11 minutes 26 seconds looped

Installation photograph of works made for The 2016 Adelaide Biennial of Australian Art: Magic Object, Anne & Gordon Samstag Museum of Art, Australia. Works are in the collection of The Art Gallery of South Australia.


Unheimlich, 2021 
Collaboration with theatre director Katt Osborne produced by Performing Lines WA & presented by Perth Institute of Contemporary Art.
A performance work which re-imagined my masks & sculptural forms as pieces to be worn and animated by performers. 

UNHEIMLICH has been supported by the WA Government through the DLGSCI and its Theatre Development Initiative & PICA’s Art Commissioners. The development of this project has been supported by The Blue Room Theatre’s LOFT program.